I believe we are put here to improve civilisation.
SEAMUS HEANEYIn a way, Anglo-Saxon poetry cannot be translated.
More Seamus Heaney Quotes
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Write whatever you like!
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One doesn’t want one’s identity coerced.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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There’s never going to be a united Ireland, you know.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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Eternal life can mean utter reverence for life itself.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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The end of art is peace.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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Poetry is more a threshold than a path.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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In a way, Anglo-Saxon poetry cannot be translated.
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Poems that come swiftly are usually the ones that you keep.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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The faking of feelings is a sin against the imagination.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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I credit poetry for making this space-walk possible.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
SEAMUS HEANEY