I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
SEAMUS HEANEYThe Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
More Seamus Heaney Quotes
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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There’s never going to be a united Ireland, you know.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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The murder of Sean Brown hurt my soul.
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The poet is on the side of undeceiving the world.
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I spend almost every morning with mail.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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You can have Irish identity in the north and also have your Irish passport.
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My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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As a young poet, you need corroboration, and that’s what publication does.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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I think childhood is, generally speaking, a preparation for disappointment.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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Eternal life can mean utter reverence for life itself.
SEAMUS HEANEY