Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
SEAMUS HEANEYWhether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
More Seamus Heaney Quotes
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
SEAMUS HEANEY -
Even if the last move did not succeed, the inner command says move again.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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There’s never going to be a united Ireland, you know.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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It’s difficult to learn poems off by heart that don’t rhyme.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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Poetry is what we do to break bread with the dead.
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The poet is on the side of undeceiving the world.
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Write whatever you like!
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
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Poems that come swiftly are usually the ones that you keep.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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I have begun to think of life as a series of ripples widening out from an original center.
SEAMUS HEANEY