I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
SEAMUS HEANEYLoyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
More Seamus Heaney Quotes
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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My father and mother had no sense of entitlement for their children.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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I believe we are put here to improve civilisation.
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You can have Irish identity in the north and also have your Irish passport.
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The end of art is peace.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Poetry is always slightly mysterious, and you wonder what is your relationship to it.
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Poetry is what we do to break bread with the dead.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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Even if the last move did not succeed, the inner command says move again.
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The poet is on the side of undeceiving the world.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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