A person from Northern Ireland is naturally cautious.
SEAMUS HEANEYNowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
More Seamus Heaney Quotes
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Even if the hopes you started out with are dashed, hope has to be maintained.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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I credit poetry for making this space-walk possible.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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I have begun to think of life as a series of ripples widening out from an original center.
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You can have Irish identity in the north and also have your Irish passport.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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The poet is on the side of undeceiving the world.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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I’m a firm believer in learning by heart.
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I’ve been in the habit of helping people.
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Write whatever you like!
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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It’s difficult to learn poems off by heart that don’t rhyme.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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