Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEYMy language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
More Seamus Heaney Quotes
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I’ve been in the habit of helping people.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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I credit poetry for making this space-walk possible.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I think childhood is, generally speaking, a preparation for disappointment.
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Your temperament is what you write with, but it’s also how you deal with the world.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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My father and mother had no sense of entitlement for their children.
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I suppose you inevitably fall into habits of expression.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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Poems that come swiftly are usually the ones that you keep.
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Write whatever you like!
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I came from a farming background, and my career was teaching.
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