I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
SEAMUS HEANEYPoetry is more a threshold than a path.
More Seamus Heaney Quotes
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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The end of art is peace.
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In poetry, everything can be faked but the intensity of utterance.
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I don’t think my intelligence is naturally analytic or political.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I suppose you inevitably fall into habits of expression.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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Sonnet is about movement in a form.
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Even if the last move did not succeed, the inner command says move again.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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The faking of feelings is a sin against the imagination.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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My father and mother had no sense of entitlement for their children.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Poetry is more a threshold than a path.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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