My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
SEAMUS HEANEYThe kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
More Seamus Heaney Quotes
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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One doesn’t want one’s identity coerced.
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There’s never going to be a united Ireland, you know.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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In poetry, everything can be faked but the intensity of utterance.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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A person from Northern Ireland is naturally cautious.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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Poems that come swiftly are usually the ones that you keep.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I credit poetry for making this space-walk possible.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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I spend almost every morning with mail.
SEAMUS HEANEY