Poetry is what we do to break bread with the dead.
SEAMUS HEANEYAt home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
More Seamus Heaney Quotes
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I don’t think my intelligence is naturally analytic or political.
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As a young poet, you need corroboration, and that’s what publication does.
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In poetry, everything can be faked but the intensity of utterance.
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My father and mother had no sense of entitlement for their children.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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There’s never going to be a united Ireland, you know.
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Even if the last move did not succeed, the inner command says move again.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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History says, ‘Don’t hope on this side of the grave.’
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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The faking of feelings is a sin against the imagination.
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I’m a firm believer in learning by heart.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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Write whatever you like!
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Sonnet is about movement in a form.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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A person from Northern Ireland is naturally cautious.
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