The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
SEAMUS HEANEYI have begun to think of life as a series of ripples widening out from an original center.
More Seamus Heaney Quotes
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Eternal life can mean utter reverence for life itself.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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The end of art is peace.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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I spend almost every morning with mail.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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There is risk and truth to yourselves and the world before you.
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As a young poet, you need corroboration, and that’s what publication does.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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The faking of feelings is a sin against the imagination.
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You can have Irish identity in the north and also have your Irish passport.
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Your temperament is what you write with, but it’s also how you deal with the world.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
SEAMUS HEANEY