A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
SEAMUS HEANEYI always believed that whatever had to be written would somehow get itself written.
More Seamus Heaney Quotes
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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I believe we are put here to improve civilisation.
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I credit poetry for making this space-walk possible.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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I think childhood is, generally speaking, a preparation for disappointment.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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I came from a farming background, and my career was teaching.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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One doesn’t want one’s identity coerced.
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The murder of Sean Brown hurt my soul.
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Even if the last move did not succeed, the inner command says move again.
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My father and mother had no sense of entitlement for their children.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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The poet is on the side of undeceiving the world.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEY