It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
SEAMUS HEANEYI credit poetry for making this space-walk possible.
More Seamus Heaney Quotes
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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I have begun to think of life as a series of ripples widening out from an original center.
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You can have Irish identity in the north and also have your Irish passport.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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There’s never going to be a united Ireland, you know.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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Sonnet is about movement in a form.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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History says, ‘Don’t hope on this side of the grave.’
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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I’m a firm believer in learning by heart.
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The murder of Sean Brown hurt my soul.
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My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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Eternal life can mean utter reverence for life itself.
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Poetry is what we do to break bread with the dead.
SEAMUS HEANEY