I think childhood is, generally speaking, a preparation for disappointment.
SEAMUS HEANEYEvery time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
More Seamus Heaney Quotes
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Poetry is more a threshold than a path.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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The murder of Sean Brown hurt my soul.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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I’ve been in the habit of helping people.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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One doesn’t want one’s identity coerced.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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My father and mother had no sense of entitlement for their children.
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A person from Northern Ireland is naturally cautious.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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As a young poet, you need corroboration, and that’s what publication does.
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In poetry, everything can be faked but the intensity of utterance.
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Poetry is a domestic art, most itself when most at home.
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You can have Irish identity in the north and also have your Irish passport.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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I have begun to think of life as a series of ripples widening out from an original center.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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History says, ‘Don’t hope on this side of the grave.’
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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Poems that come swiftly are usually the ones that you keep.
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Even if the last move did not succeed, the inner command says move again.
SEAMUS HEANEY