My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
SEAMUS HEANEYIn fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
More Seamus Heaney Quotes
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I’m a firm believer in learning by heart.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I don’t think my intelligence is naturally analytic or political.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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I believe we are put here to improve civilisation.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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There is risk and truth to yourselves and the world before you.
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Eternal life can mean utter reverence for life itself.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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The end of art is peace.
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History says, ‘Don’t hope on this side of the grave.’
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I have begun to think of life as a series of ripples widening out from an original center.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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The murder of Sean Brown hurt my soul.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEY