The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
SEAMUS HEANEYI would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
More Seamus Heaney Quotes
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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Poetry is what we do to break bread with the dead.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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My father and mother had no sense of entitlement for their children.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
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The faking of feelings is a sin against the imagination.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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There is risk and truth to yourselves and the world before you.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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Even if the last move did not succeed, the inner command says move again.
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The end of art is peace.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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Poetry is a domestic art, most itself when most at home.
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I came from a farming background, and my career was teaching.
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I believe we are put here to improve civilisation.
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