At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
SEAMUS HEANEYIn Northern Ireland, helicopters are not usually used to promote poetry.
More Seamus Heaney Quotes
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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The faking of feelings is a sin against the imagination.
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The end of art is peace.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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Eternal life can mean utter reverence for life itself.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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I suppose you inevitably fall into habits of expression.
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You can have Irish identity in the north and also have your Irish passport.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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Write whatever you like!
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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In a way, Anglo-Saxon poetry cannot be translated.
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