In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
SEAMUS HEANEYMy father and mother had no sense of entitlement for their children.
More Seamus Heaney Quotes
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A person from Northern Ireland is naturally cautious.
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Poetry is a domestic art, most itself when most at home.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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As a young poet, you need corroboration, and that’s what publication does.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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The end of art is peace.
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The poet is on the side of undeceiving the world.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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Poetry is what we do to break bread with the dead.
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There’s never going to be a united Ireland, you know.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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Anybody serious about poetry knows how hard it is to achieve anything worthwhile in it.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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It’s difficult to learn poems off by heart that don’t rhyme.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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I spend almost every morning with mail.
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I have begun to think of life as a series of ripples widening out from an original center.
SEAMUS HEANEY