My father and mother had no sense of entitlement for their children.
SEAMUS HEANEYThe poet is on the side of undeceiving the world.
More Seamus Heaney Quotes
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Sonnet is about movement in a form.
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One doesn’t want one’s identity coerced.
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I believe we are put here to improve civilisation.
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It’s difficult to learn poems off by heart that don’t rhyme.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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Poems that come swiftly are usually the ones that you keep.
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I’ve been in the habit of helping people.
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Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I’m a firm believer in learning by heart.
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As a young poet, you need corroboration, and that’s what publication does.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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I credit poetry for making this space-walk possible.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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Write whatever you like!
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In Northern Ireland, helicopters are not usually used to promote poetry.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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In a way, Anglo-Saxon poetry cannot be translated.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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I think childhood is, generally speaking, a preparation for disappointment.
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