In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEYMemory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
More Seamus Heaney Quotes
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The murder of Sean Brown hurt my soul.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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The end of art is peace.
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Poetry is a domestic art, most itself when most at home.
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It’s difficult to learn poems off by heart that don’t rhyme.
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Poetry is more a threshold than a path.
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I’m a firm believer in learning by heart.
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Poetry is always slightly mysterious, and you wonder what is your relationship to it.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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My father and mother had no sense of entitlement for their children.
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As a young poet, you need corroboration, and that’s what publication does.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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There is risk and truth to yourselves and the world before you.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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Write whatever you like!
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The faking of feelings is a sin against the imagination.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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