Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
SEAMUS HEANEYThere is risk and truth to yourselves and the world before you.
More Seamus Heaney Quotes
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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Poetry is always slightly mysterious, and you wonder what is your relationship to it.
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I don’t think my intelligence is naturally analytic or political.
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The Heaneys were aristocrats, in the sense that they took for granted a code of behavior that was given and unspoken. Argumentation, persuasion, speech itself, for God’s sake, just seemed otiose and superfluous to them.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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Eternal life can mean utter reverence for life itself.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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I’m a firm believer in learning by heart.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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Your temperament is what you write with, but it’s also how you deal with the world.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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My father and mother had no sense of entitlement for their children.
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Poems that come swiftly are usually the ones that you keep.
SEAMUS HEANEY