Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
SEAMUS HEANEYWrite whatever you like!
More Seamus Heaney Quotes
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I suppose you inevitably fall into habits of expression.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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Eternal life can mean utter reverence for life itself.
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Poetry is more a threshold than a path.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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I always believed that whatever had to be written would somehow get itself written.
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Even if the last move did not succeed, the inner command says move again.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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I credit poetry for making this space-walk possible.
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You can have Irish identity in the north and also have your Irish passport.
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It’s difficult to learn poems off by heart that don’t rhyme.
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The murder of Sean Brown hurt my soul.
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Poetry is what we do to break bread with the dead.
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Write whatever you like!
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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My father was a creature of the archaic world, really. He would have been entirely at home in a Gaelic hill-fort. His side of the family, and the houses I associate with his side of the family, belonged to a traditional rural Ireland.
SEAMUS HEANEY