In a way, Anglo-Saxon poetry cannot be translated.
SEAMUS HEANEYPoems that come swiftly are usually the ones that you keep.
More Seamus Heaney Quotes
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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Poems that come swiftly are usually the ones that you keep.
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I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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The murder of Sean Brown hurt my soul.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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Sonnet is about movement in a form.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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Poetry is more a threshold than a path.
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The end of art is peace.
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I spend almost every morning with mail.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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I suppose you inevitably fall into habits of expression.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
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I’m a firm believer in learning by heart.
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In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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I came from a farming background, and my career was teaching.
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I always believed that whatever had to be written would somehow get itself written.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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