I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.
SEAMUS HEANEYThen as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
More Seamus Heaney Quotes
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I believe we are put here to improve civilisation.
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In Northern Ireland, helicopters are not usually used to promote poetry.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I think childhood is, generally speaking, a preparation for disappointment.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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The end of art is peace.
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Poetry is a domestic art, most itself when most at home.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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I don’t think my intelligence is naturally analytic or political.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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In a way, Anglo-Saxon poetry cannot be translated.
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A person from Northern Ireland is naturally cautious.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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It’s difficult to learn poems off by heart that don’t rhyme.
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In poetry, everything can be faked but the intensity of utterance.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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One doesn’t want one’s identity coerced.
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I always believed that whatever had to be written would somehow get itself written.
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I have begun to think of life as a series of ripples widening out from an original center.
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