I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
SEAMUS HEANEYWithout needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
More Seamus Heaney Quotes
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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Poems that come swiftly are usually the ones that you keep.
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Eternal life can mean utter reverence for life itself.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
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When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.
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One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a ‘binge’ writer – like a binge drinker. I go on binges.
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The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
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You can have Irish identity in the north and also have your Irish passport.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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The murder of Sean Brown hurt my soul.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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A person from Northern Ireland is naturally cautious.
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Your temperament is what you write with, but it’s also how you deal with the world.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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Poetry is more a threshold than a path.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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I credit poetry for making this space-walk possible.
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If poetry and the arts do anything, they can fortify your inner life, your inwardness.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
SEAMUS HEANEY