But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It’s like anything else. It’s a muscle you have to exercise. I write more now than ever.
RON WHITEComedy is all about the pause.
More Ron White Quotes
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You can’t fix stupid.
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Donald Trump – and I don’t dislike Donald one single bit – has no idea how good the Mexican people are at building tunnels.
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The only thing I really worry about is my live stand-up show because I have to answer to the fans.
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My biggest pet peeve, I guess, is other comedians criticizing Larry the Cable Guy.
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I write these shows one joke at a time. There’s no continuity. I do try to figure an order to the stories, but there’s not continuity.
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Movies are boring. It’s like watching paint dry. I did a little role in a movie, and it was eight lines. I was there for three days. It’s just horrible.
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I believe everything creative is somewhat collaborative. If you’re a painter and someone stretches your canvas, it was collaborative on some level.
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I do live like a rock star, but it’s not as great as it sounds. It’s a lot of traveling.
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I’ve gathered some of my close musical and comedian friends, and we’re going to see if we can’t bring a few laughs to these soldiers, raise some money, and hopefully lift their spirits.
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I believe that if life gives you lemons, you should make lemonade… And try to find somebody whose life has given them vodka, and have a party.
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I think the world has their own good, clean, Christian comedy. They don’t need my help.
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I was by far the least popular of the Blue Collar crew when we started. There was a definite pecking order, and everybody knew it.
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Somebody the other day had a review, called me ‘America’s reprobate.’ And I don’t even know what that means, but I kinda like the way it sounds.
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I’ve got a great cigar collection – it’s actually not a collection, because that would imply I wasn’t going to smoke every last one of ’em.
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I’ve never been one to look up the ladder. I’ve always looked down the ladder. As long as there’s one guy down there, I’m fine.
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I always found that the closer I got to who I really am, on stage, the more they responded to it.
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The first thing I ever got my hands on was Andy Griffith’s ‘What It Was, Was Football.’ I was fascinated with the fact that every syllable made it funny, and I would laugh even though I didn’t know what any of it meant.
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If you watch the ‘Blue Collar Comedy Tour,’ don’t expect that when you come see me by myself, ’cause it’s a little rougher.
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I want my fans to feel like we’re always in touch. Because without ’em, I wouldn’t be able to do any of this.
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TV is a hard job. You work 15 hours a day. People tell you what to do. I hate to do it.
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The next time you have a thought… let it go.
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You can tell on-stage when a joke’s starting to lose its pop. It doesn’t mean people don’t want to hear it anymore; it means I don’t want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they’ve never heard.
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I really understood a lot more about comedy after listening to Bill Hicks, who died at 32 years old. He’s probably the best comedian who ever lived. Although you can’t say that because of Carlin, Cosby and Pryor.
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I go through about 140 cities a year.
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I believe everything creative is somewhat collaborative.
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Any time someone achieves success before they’ve earned it, it always comes back to haunt them.
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