I do a lot of gay-friendly stuff in my show, and men, women, they all love it. I practice non-judgment in my daily life and hope other people do the same thing.
RON WHITEDiamonds – that’ll shut her up… for a minute!
More Ron White Quotes
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Let’s face it: a lot of my material comes from the stuff that happens to me on the road.
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If I’m not in the theatre, I’m in an open mic night or doing a guest set at the Comedy Club, or whatever, just trying to develop stuff.
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I could do no wrong in my mother’s eyes from the day I was born. My fans bought her a very nice house in San Antonio, and she has a great life.
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I loved listening to laughter even as a little kid.
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We always go out looking for live music after our shows.
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You can teach somebody how to be a brain surgeon, but you cannot teach them how to walk on a stage and make people laugh.
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If I sit down to write a joke about, whatever, the polluted Gulf of Mexico, it comes out mundane to me.
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I was so in love with the idea of making people laugh for a living that I didn’t care what I had to do to get there. Or how much money I was going to make when I did get there.
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I write all of my material. It’s all me.
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I’d rather do a really good small part than a really bad big part.
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There’s no idea or concept in comedy you could do that hasn’t been attacked from some angle. But if you start leaving punchlines out so you’ll look cool, I don’t get that. But I don’t watch standup anyway, so I don’t know what they’re doing.
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I believe that if life gives you lemons, you should make lemonade… And try to find somebody whose life has given them vodka, and have a party.
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I guarantee there’s people who watch television who have no idea how complicated it is to make a television show.
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I do live like a rock star, but it’s not as great as it sounds. It’s a lot of traveling.
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Pace, rhythm and timing. Pace, rhythm and timing is what it’s about. The content’s got to be great, but then it’s got to be delivered. It’s a tricky thing to do, and it takes a lot of work.
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Any time someone achieves success before they’ve earned it, it always comes back to haunt them.
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That’s the beauty of being a straight-to-DVD star. It really helps you stay under the media’s radar.
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I don’t know who in my family thinks very fast at all, including me. The things that people see me do onstage are written, so it doesn’t have to be very quick if you have all day with a pen.
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I want my fans to feel like we’re always in touch. Because without ’em, I wouldn’t be able to do any of this.
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I’ve asked these guys in rock bands with all the 18-wheelers driving to the venue how they make money. I just don’t understand it. But I don’t understand a lot of things.
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I believe everything creative is somewhat collaborative. If you’re a painter and someone stretches your canvas, it was collaborative on some level.
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There have been times when I played more than others, but I’ve been a road comic for a quarter of a century, so I’ve always played golf on the road because you have a lot of time to kill.
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If I see someone out there mouthing the words to a bit, I’m not having fun.
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You know, my first album, some of those jokes I’d done for twelve years because I couldn’t throw ’em out.
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You can tell on-stage when a joke’s starting to lose its pop. It doesn’t mean people don’t want to hear it anymore; it means I don’t want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they’ve never heard.
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I get e-mail from all over the world, and from lawyers and doctors and whoever – plumbers and drywall hangers.
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