I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
MITSKII don’t set out to write something. I more just write, and later on, I discover what it’s about.
More Mitski Quotes
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I’ve been asked whether I have a hobby, and have felt strangely offended that anyone would assume I have the time.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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Whenever someone says they like something about my music.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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I was one of those girls people called ‘intense.’
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I’m punk, but I love gold.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I lived abroad most of my life in insular international communities.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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It’s very tempting, when somebody says they like this about you, to want to do that over and over.
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All the time. I feel like I’m not taken seriously.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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Everything is so chaotic and messy in the world, and I have always felt kind of dirty.
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It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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I don’t think ‘bleak’ is a bad thing.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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When someone is a musician – trying to make a living off being a public figure – it’s really easy for people to see me as a face on a screen that doesn’t have a personal life.
MITSKI