I was one of those girls people called ‘intense.’
MITSKIWhat’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
More Mitski Quotes
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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I know for a fact that I’m problematic. I shouldn’t be looked to for any kind of guidance.
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I really just care about making music and how I can make it next.
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I have my privileges, but I do feel like at every turn there is such resistance.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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All the time. I feel like I’m not taken seriously.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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Tour isn’t good for writing, but it’s good for inspiration.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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I don’t set out to write something. I more just write, and later on, I discover what it’s about.
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As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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When I go onstage and am performing the way I want to… I finally feel like myself.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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I’m punk, but I love gold.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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I don’t think ‘bleak’ is a bad thing.
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I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
MITSKI