“I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.”

What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.

I always have strong urges to sabotage myself.

On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.

I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.

It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.

I hope to be a writer and musician my whole life, fingers crossed.

You can never learn enough about music.

I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.

I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.

I was one of those girls people called ‘intense.’

I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.

I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.

When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.

It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.

I was a film major because, for some reason, I thought that that was a creative job that had more job opportunities. I don’t know what logic I was following, but that was my impression at the time.

I don’t want to be elitist.