I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
MITSKII didn’t fit in anywhere when I grew up, but I was always American, so to survive,
More Mitski Quotes
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I lived abroad most of my life in insular international communities.
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I don’t think I have the kind of creativity to write fiction.
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Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
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Being an outsider makes you a really good writer.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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I have this thing about being acknowledged and accepted by institutions.
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My personality’s very obsessive-compulsive. I tend to fixate a lot.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.
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My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.
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When I go onstage and am performing the way I want to… I finally feel like myself.
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I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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I really just care about making music and how I can make it next.
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When I record, it’s this very precious and insular thing.
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I always have strong urges to sabotage myself.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I know for a fact that I’m problematic. I shouldn’t be looked to for any kind of guidance.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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I was one of those girls people called ‘intense.’
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In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
MITSKI