Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
MITSKIMiyazaki movies were what I was raised on. I’ve watched them since I was very young, and I’ve been greatly shaped by them.
More Mitski Quotes
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I have this thing about being acknowledged and accepted by institutions.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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Maybe this is a made-up belief to preserve myself, but I do believe that everyone has a purpose, and my purpose is to put out music that means something.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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I’m punk, but I love gold.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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I don’t think I have the kind of creativity to write fiction.
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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I really just care about making music and how I can make it next.
MITSKI