All I want to do at karaoke is sing Mariah Carey.
MITSKIOn one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
More Mitski Quotes
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I tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
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Being an outsider makes you a really good writer.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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I think music is supposed to be shared.
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The whole ‘grunge-girl’ comparisons certainly are the easiest to pick out, and I appreciate that music journalists are rushed.
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My personality’s very obsessive-compulsive. I tend to fixate a lot.
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I always have strong urges to sabotage myself.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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I would love for Rivers Cuomo to listen to my music and see what he thinks.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
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When I record, it’s this very precious and insular thing.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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I don’t set out to write something. I more just write, and later on, I discover what it’s about.
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Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.
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I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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