Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
MITSKIWhen you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
More Mitski Quotes
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
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I have my privileges, but I do feel like at every turn there is such resistance.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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Whenever someone says they like something about my music.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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I would love for Rivers Cuomo to listen to my music and see what he thinks.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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All the time. I feel like I’m not taken seriously.
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
MITSKI