I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
MITSKII think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
More Mitski Quotes
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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I tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
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Tour isn’t good for writing, but it’s good for inspiration.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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All the time. I feel like I’m not taken seriously.
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All I want to do at karaoke is sing Mariah Carey.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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You can never learn enough about music.
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I think it’s very dangerous as an artist to be comfortable.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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I hope to be a writer and musician my whole life, fingers crossed.
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I hate that my opinions are gonna be on record… that my opinions of other artists are going to be on record.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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Everything is so chaotic and messy in the world, and I have always felt kind of dirty.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.
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In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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I know for a fact that I’m problematic. I shouldn’t be looked to for any kind of guidance.
MITSKI