With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
MITSKIWhen you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
More Mitski Quotes
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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When I go onstage and am performing the way I want to… I finally feel like myself.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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When someone is a musician – trying to make a living off being a public figure – it’s really easy for people to see me as a face on a screen that doesn’t have a personal life.
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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I don’t think ‘bleak’ is a bad thing.
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I think people don’t realize how little of being an artist is making art.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I really just care about making music and how I can make it next.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I think it’s very dangerous as an artist to be comfortable.
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I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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I was a film major because, for some reason, I thought that that was a creative job that had more job opportunities. I don’t know what logic I was following, but that was my impression at the time.
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I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.
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Miyazaki movies were what I was raised on. I’ve watched them since I was very young, and I’ve been greatly shaped by them.
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I tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
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I always have strong urges to sabotage myself.
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I’m not an innovator.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
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Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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