As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
MITSKIWhenever someone says they like something about my music.
More Mitski Quotes
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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I hate that my opinions are gonna be on record… that my opinions of other artists are going to be on record.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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I lived abroad most of my life in insular international communities.
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I know for a fact that I’m problematic. I shouldn’t be looked to for any kind of guidance.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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When I record, it’s this very precious and insular thing.
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I really just care about making music and how I can make it next.
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I don’t think ‘bleak’ is a bad thing.
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
MITSKI