Tour isn’t good for writing, but it’s good for inspiration.
MITSKIWhen someone is a musician – trying to make a living off being a public figure – it’s really easy for people to see me as a face on a screen that doesn’t have a personal life.
More Mitski Quotes
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What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I lived abroad most of my life in insular international communities.
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It’s very tempting, when somebody says they like this about you, to want to do that over and over.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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When you’re young is the one time when you get to indulge in being morose and take yourself most seriously.
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I think people don’t realize how little of being an artist is making art.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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I don’t think ‘bleak’ is a bad thing.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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I don’t think I have the kind of creativity to write fiction.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I’m punk, but I love gold.
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