I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
MITSKII think music is supposed to be shared.
More Mitski Quotes
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It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
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I think it’s very dangerous as an artist to be comfortable.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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Whenever someone says they like something about my music.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.
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I was a film major because, for some reason, I thought that that was a creative job that had more job opportunities. I don’t know what logic I was following, but that was my impression at the time.
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When I record, it’s this very precious and insular thing.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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It’s very tempting, when somebody says they like this about you, to want to do that over and over.
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I would love for Rivers Cuomo to listen to my music and see what he thinks.
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On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
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You can never learn enough about music.
MITSKI