I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
MITSKIIf I ever found a place where I belonged, that in itself would be an identity crisis to me.
More Mitski Quotes
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My personality’s very obsessive-compulsive. I tend to fixate a lot.
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As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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I have my privileges, but I do feel like at every turn there is such resistance.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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I don’t want to be a musician’s musician. I want to be an everyone’s musician.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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I really just care about making music and how I can make it next.
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It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
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I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.
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You always want what you can’t have, and that all-American thing, from the day I was born,
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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It’s very tempting, when somebody says they like this about you, to want to do that over and over.
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Pop artists work really hard, and they might not work for the same things that indie artists do, but they’re still musicians, and they’re still making art.
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Maybe this is a made-up belief to preserve myself, but I do believe that everyone has a purpose, and my purpose is to put out music that means something.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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When I go onstage and am performing the way I want to… I finally feel like myself.
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I think it’s very dangerous as an artist to be comfortable.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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