I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
MITSKII created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
More Mitski Quotes
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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People started calling me that, and I started being treated in a specific way.
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I was a film major because, for some reason, I thought that that was a creative job that had more job opportunities. I don’t know what logic I was following, but that was my impression at the time.
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It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
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I’ve been asked whether I have a hobby, and have felt strangely offended that anyone would assume I have the time.
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I don’t want to be elitist.
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I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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If I ever found a place where I belonged, that in itself would be an identity crisis to me.
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In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I can’t read in a car, because I’ll get sick. It’s almost instant.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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I think music is supposed to be shared.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I have my privileges, but I do feel like at every turn there is such resistance.
MITSKI