“Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.”

My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.

I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.

Tour isn’t good for writing, but it’s good for inspiration.

I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.

People started calling me that, and I started being treated in a specific way.

What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.

I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.

I always have strong urges to sabotage myself.

On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.

I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.

It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.

I hope to be a writer and musician my whole life, fingers crossed.

You can never learn enough about music.

I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.

I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.

I was one of those girls people called ‘intense.’

He is in youth swift, pliant and merry, and leapeth and rusheth on all thing that is before him; and is lead by a staw and playeth there with.

All literature is protest.

All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.

Live all you can; it’s a mistake not to.

All we behold is miracle.

I think the hip-hop purists are purists through and through. They’re here to criticize all of us. That’s just how it is. We as MC’s criticize each other. That’s the nature of hip-hop.

I suppose a cry does us all good at times-clears the air as other rain does.

The infinity of All ever bringing forth anew, and even as infinite space is around us, so is infinite potentiality, capacity, reception, malleability, matter.