I don’t think I have the kind of creativity to write fiction.
MITSKII understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
More Mitski Quotes
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I’m not an innovator.
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When you’re young is the one time when you get to indulge in being morose and take yourself most seriously.
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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I have my privileges, but I do feel like at every turn there is such resistance.
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I always have strong urges to sabotage myself.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I think it’s very dangerous as an artist to be comfortable.
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I really just care about making music and how I can make it next.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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Miyazaki movies were what I was raised on. I’ve watched them since I was very young, and I’ve been greatly shaped by them.
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It would actually feel forced or unnatural to try to do a different singing style or to try to change my sound completely.
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I think music is supposed to be shared.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I don’t want to be elitist.
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I’m punk, but I love gold.
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I’m so smart. I am good at doing math really quickly in my head.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
MITSKI