I hope to be a writer and musician my whole life, fingers crossed.
MITSKIWhat I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
More Mitski Quotes
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In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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I was one of those girls people called ‘intense.’
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Everything is so chaotic and messy in the world, and I have always felt kind of dirty.
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I’m punk, but I love gold.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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I don’t think ‘bleak’ is a bad thing.
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You can never learn enough about music.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I think people don’t realize how little of being an artist is making art.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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Being an outsider makes you a really good writer.
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I really like The Cars. They’re just so over the top and super pop, but I don’t feel guilty. I’m proud of all the music I listen to.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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