Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
MITSKII’m not an innovator.
More Mitski Quotes
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.
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Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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When I record, it’s this very precious and insular thing.
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You can never learn enough about music.
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I don’t think ‘bleak’ is a bad thing.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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I really just care about making music and how I can make it next.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
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I tend to not want to do that anymore. It’s not even that I don’t like it anymore: it’s that I keep trying to find ways for people to dislike me.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
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I don’t want to be elitist.
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
MITSKI