Oftentimes, the most important decisions I make are the ones I don’t put much thought into.
MITSKIWhen I record, it’s this very precious and insular thing.
More Mitski Quotes
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I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.
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I lived abroad most of my life in insular international communities.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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On one hand, I think it’s very important to talk about race and talk about gender, because if it’s not talked about, then we won’t progress.
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Being an outsider makes you a really good writer.
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I don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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When I record, it’s this very precious and insular thing.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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I hope to be a writer and musician my whole life, fingers crossed.
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I have my privileges, but I do feel like at every turn there is such resistance.
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As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
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I didn’t fit in anywhere when I grew up, but I was always American, so to survive,
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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I’ve been asked whether I have a hobby, and have felt strangely offended that anyone would assume I have the time.
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