What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
MITSKIOn tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
More Mitski Quotes
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I was a film major because, for some reason, I thought that that was a creative job that had more job opportunities. I don’t know what logic I was following, but that was my impression at the time.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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When someone is a musician – trying to make a living off being a public figure – it’s really easy for people to see me as a face on a screen that doesn’t have a personal life.
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A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
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When you’re young is the one time when you get to indulge in being morose and take yourself most seriously.
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I don’t set out to write something. I more just write, and later on, I discover what it’s about.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I don’t want to be elitist.
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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I’ve been asked whether I have a hobby, and have felt strangely offended that anyone would assume I have the time.
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The whole ‘grunge-girl’ comparisons certainly are the easiest to pick out, and I appreciate that music journalists are rushed.
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I’m so smart. I am good at doing math really quickly in my head.
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I couldn’t wait to get out of school, but once I did, I didn’t actually know what I wanted to do with myself. I don’t really know how it happened, but I just started writing music and realized that’s what I wanted to do.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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Music was the one thing that was just mine, and no one could take it from me. I created it, dictated it, and it made me not able to let go of it.
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I think it’s very dangerous as an artist to be comfortable.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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Whenever someone says they like something about my music.
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When I go onstage and am performing the way I want to… I finally feel like myself.
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I think people don’t realize how little of being an artist is making art.
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I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.
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I think music is supposed to be shared.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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Everything is so chaotic and messy in the world, and I have always felt kind of dirty.
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I have my privileges, but I do feel like at every turn there is such resistance.
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I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
MITSKI