It’s very tempting, when somebody says they like this about you, to want to do that over and over.
MITSKII don’t think ‘bleak’ is a bad thing.
More Mitski Quotes
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When you love someone and care about them, you want what’s best for them, and it’s always the hardest thing to realize maybe you aren’t what’s best for them, how hard you try.
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Maybe this is a made-up belief to preserve myself, but I do believe that everyone has a purpose, and my purpose is to put out music that means something.
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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I don’t think I have the kind of creativity to write fiction.
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Often I’ve had problems automatically bending to a lover’s will, becoming what I know they want me to be. Immediately, I learn all the music they love, listen to it, study it, instead of being like, ‘This is what I love!’
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I think music is supposed to be shared.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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Miyazaki movies were what I was raised on. I’ve watched them since I was very young, and I’ve been greatly shaped by them.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I think my whole identity is formed around not knowing where I’m from. It might even be that I find comfort in that confusion.
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I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
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My personality’s very obsessive-compulsive. I tend to fixate a lot.
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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As a woman of color, I always have to be at 150 percent and better than everybody in the room to be considered competent.
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Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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I have my privileges, but I do feel like at every turn there is such resistance.
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Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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You always want what you can’t have, and that all-American thing, from the day I was born,
MITSKI