Tour isn’t good for writing, but it’s good for inspiration.
MITSKIAll the time. I feel like I’m not taken seriously.
More Mitski Quotes
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In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
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I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
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What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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I have a very conveniently photographic memory of emotions – it’s overwhelming, because things don’t fade for me.
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On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
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I know for a fact that I’m problematic. I shouldn’t be looked to for any kind of guidance.
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It’s nice to know there’s a big world with many perspectives. I tend to get so stuck in my own small world easily, and going out into the world reminds me that I’m not the center of the world – in a good way.
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You can never learn enough about music.
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I’m Japanese, and I’m also white American, and neither camp wants me in their camp.
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I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
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I was one of those girls people called ‘intense.’
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Everything is so chaotic and messy in the world, and I have always felt kind of dirty.
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People started calling me that, and I started being treated in a specific way.
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I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.
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When I go onstage and am performing the way I want to… I finally feel like myself.
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I think people don’t realize how little of being an artist is making art.
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On tour, I don’t drink, because I don’t think in any other job you are supposed to get to work and drink whisky.
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I think what’s hard for me is not that I don’t get downtime to chill, it’s that I don’t get time to make music.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I don’t want to be elitist.
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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When I started making music, I was like, ‘This is something I can believe I was meant to do.’
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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