Happiness is impossible for longer than 15 minutes. We are the descendants of creatures who, above all else, worried.
ALAIN DE BOTTON…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
More Alain de Botton Quotes
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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Never too late to learn some embarrassingly basic, stupidly obvious things about oneself.
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I went to church and couldn’t swallow it. The music was nice but I don’t belong there.
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We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.
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It seems that most of us could benefit from a brush with a near-fatal disaster to help us recognise the important things that we are too defeated or embittered to recognise from day to day.
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Insomnia is a glamorous term for thoughts you forgot to have in the day.
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Feeling lost, crazy and desperate belongs to a good life as much as optimism, certainty and reason.
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It looks like it’s wasting time, but literature is actually the ultimate time-saver – because it gives us access to a range of emotions and events that it would take you years, decades, millennia to try to experience directly.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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Anyone who isn’t embarrassed of who they were last year probably isn’t learning enough.
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One kind of good book should leave you asking: how did the author know that about me?
ALAIN DE BOTTON