The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
ALAIN DE BOTTON…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
More Alain de Botton Quotes
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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The blunt large questions become connected to smaller, apparently esoteric ones.
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Work is most fulfilling when you’re at the comfortable, exciting edge of not quite knowing what you are doing.
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I learnt to stop fantasising about the perfect job or the perfect relationship because that can actually be an excuse for not living.
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If one felt successful, there’d be so little incentive to be successful.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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The good parent: someone who doesn’t mind, for a time, being hated by their children.
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Most good thinking has its origin in fear.
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One of the best protections against disappointment is to have a lot going on.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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Unhappiness can stem from having only one perspective to play with.
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We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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Only as we mature does affection begin to depend on achievement.
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Social media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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Everyone returns us to a different sense of ourselves, for we become a little of who they think we are.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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What am I supposed to do here? What am I supposed to think?
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Art holds out the promise of inner wholeness.
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It wasn’t only fanatics and drunkards who began conversations with strangers in public.
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We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.
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Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
ALAIN DE BOTTON