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The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.

Alain de Botton

Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
ALAIN DE BOTTON

Biscuit Carpet Childhood Day Light Most Photo Smell Store Texture
The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
ALAIN DE BOTTON

Beautiful Cry Expect Film Moment More Thing
Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to.
ALAIN DE BOTTON

Anyone Bookseller Destination Most Number Talk Valuable
Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
ALAIN DE BOTTON

Before Blend Define Joy Melancholy Perfection Sadness Sear
Maturity: the confidence to have no opinions on many things.
ALAIN DE BOTTON

Confidence Many Maturity Opinion Thing
The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
ALAIN DE BOTTON

Anxiety Defend Determine Largets Ourself Part Personally Sad
Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
ALAIN DE BOTTON

Convince Difficult Feel Generally Only People Politics Quite Task
In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
ALAIN DE BOTTON

Devotion Religion replace Reverence Secular Touchstone World
Every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
ALAIN DE BOTTON

Every Time Feel Little Possess Rich Satisfy
Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
ALAIN DE BOTTON

Allow Call Continuous Conversation Dead Make Misuse Opportunity Period Presence Rhythm
I passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
ALAIN DE BOTTON

Argument Believe Count Critical Manner Passionate Present Success
The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
ALAIN DE BOTTON

Affiche Appraisal Attention Congenital Determine Matter People Uncertainty
Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
ALAIN DE BOTTON

Beautiful Deal Endeavor Feeling Long Love Purchase Response Something Think Way
Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
ALAIN DE BOTTON

Apprehend Continous Dangerous Enjoy Feel More Otherwise
A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
ALAIN DE BOTTON

Build Chain Change Connect Danger Information Necessary Receptivity See Thing Travel
Bad art might be defined as a series of bad choices about what to show and what to leave out.
ALAIN DE BOTTON

Bad Choice Define Leave might Out Series Show
Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
ALAIN DE BOTTON

Conscious Contribute Create Enthusiasm Guide Merely More Single
Only by declaring a book completely finished can one start to see how much remains to be done on it.
ALAIN DE BOTTON

Book Completely Declare Done Finish Car Remain Start
The blunt large questions become connected to smaller, apparently esoteric ones.
ALAIN DE BOTTON

Apparently Blunt Connect Esoteric Larger One Question Smaller
How generous was it to offer gifts to people one knew would never accept them?
ALAIN DE BOTTON

Accept Generous Gift never Offer People
Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
ALAIN DE BOTTON

Audience Big Compell Truth Vital
We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
ALAIN DE BOTTON

Achievement Always Fall First Humiliate Invest Price Sense Worth
We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTON

Angry Cease Hopeful Once
We study biology, physics, movements of glaciers… Where are the classes on envy, feeling wronged, despair, bitterness.
ALAIN DE BOTTON

Biology Bitterness Class Envy Feeling Glacier Movement Physics Wrong
One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
ALAIN DE BOTTON

Age Capacity Do Hold Improve One Pass Shall Slightly
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTON

Acquaintance Acquire Beautiful Dialogue Grief Pain Thing Turn More Value
Our greatest furies spring from events which violate our sense of the ground of our existence.
ALAIN DE BOTTON

Event Existence Fury Great Ground Sense Spring Violate

The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.

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The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.

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Popular Authors

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